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Needle Drop: A Hip-Hop Film Sample

“Peace, love, unity, and having fun” was the original message to a culture borne out of the joy and protest of New York’s Black youth. This culture had four pillars: rapping, breakdancing, graffiti, and DJing. Fifty years later, hip-hop’s continued influence on the world cannot be overstated, and its impact is as musical as it is visual. No other genre may have mastered the art of the music video the way hip-hop did, so much so that its fashion, dance moves, and lingo permeated popular culture as a whole. It was only a matter of time before cinema extended hip-hop’s purpose of self-expression and representation, which contributed to the empowerment of Black Americans. Yet, things weren’t always black and white. Issues of appropriation and exploitation arose through the commercialization of the culture, and purists lament its decline to this day. The story of rap and hip-hop is as complex as the history of the United States and its socio-economic system. This series presents four American films for a glimpse into what hip-hop has been and what it is now. Favoring movies with killer soundtracks, ranging from conscious rap to gangsta rap and dropping experimental and emo sounds, look no further than this series for your summer jam. It’s happening here on Chicago’s South Side, in Hyde Park, right around the block.

Ghost Dog: The Way of the Samurai (1999)

Ghost Dog: The Way of the Samurai (1999) still

Jim Jarmusch · 116m · DCP

“[There] was just one kid, me, sitting at a keyboard, watching the movie over and over on a small TV with a built-in VHS, and finding the sounds that made sense,” said legendary producer RZA, describing the creative process behind Ghost Dog’s soundtrack. It’s a masterpiece, for any of you who still doubted hip-hop’s status as classic — or is it still avant-garde, with its syncopated rhythms and atonality? Forest Whitaker swooshes swords in the wind, harmonizing Eastern thought, urban culture, and Film Noir.

Wednesday, June 18 7:00 PM · Friday, June 20 4:00 PM

Down with the King (2021)

Down with the King (2021) still

Diego Ongaro · 100m · DCP

One of the Midwest’s most celebrated rappers, Freddie Gibbs embraces his persona in his acting debut. He plays Money Merc, a rapper who retreats to the country to reflect on the tolls taken on him by fame and the music industry, in this film scored in collaboration with cinematic funk-soul band El Michels Affair. The gangsta rapper in the wild of New England is like this film’s narrative: an anomaly, but if you ‘bout it ‘bout it, you know.

Thursday, June 26 8:00 PM · Friday, June 27 4:00 PM

Radio Jammer / Crestone (2024 / 2020)

Radio Jammer / Crestone (2024 / 2020) still

Jacob Kessler / Marnie Ellen Hertzler · 20m / 73m · DCP

Nas called it in 2006: hip-hop is dead, and to perform the autopsy is to dissect the mechanics of neoliberalism and digital technology that led to its downfall. The authenticity the genre lost through its online spread haunts the occult con artists who channel it, blighting the diversity that once tied hip-hop to geography. We’re left with its specter in the lonely lives of Chicago’s underground scene in Radio Jammer, while Crestone blurs documentary and fiction as SoundCloud rappers commune in the Colorado desert.

Wednesday, July 2 7:00 PM

Hustle & Flow (2005)

Hustle & Flow (2005) still

Craig Brewer · 116m · DCP

"Pimpin’ ain’t easy, and so is talkin’ ‘bout pimpin’ these days" — but that was hip-hop’s fantasy for a while and, for many, a reality. This is the angle the film adopts as Djay (Terrence Howard) seeks to leave the pimp game for the rap one. Set in the heat of Memphis to a trill soundtrack composed by southern rap group Three 6 Mafia, the story is like the music: raw and uplifting, the type of sound that’ll get you an Oscar — which it did.

Thursday, July 10 7:00 PM · Friday, July 11 4:00 PM